“Kaantha” Sets Its Streaming Date — Here’s What to Know Before It Lands on Netflix
Dulquer Salmaan’s period thriller Kaantha is finally making its way to streaming, and it’s arriving sooner than many expected. The film, which released in theatres earlier this year, is set to debut on Netflix India on December 12th, opening the door for a wider audience to catch it from home.
And here’s the best part: it won’t be limited to just Tamil. Kaantha will also stream in Telugu, Malayalam, Kannada, and Hindi, giving viewers across regions plenty of options to dive into the story in their preferred language.
A Throwback World You Don’t See Every Day
Set in the 1950s, Kaantha unfolds inside the world of early Indian cinema — a smoky, glamorous, sometimes dangerous place where art, ego, and ambition collide. The film leans heavily into its retro atmosphere: vintage sets, noir-style lighting, and the kind of moody storytelling that takes its time instead of rushing from twist to twist.
It’s a film that almost feels made for a late-night watch — headphones on, lights dim, letting the old-school drama slowly pull you in.
What Makes It Stand Out
A strong period mood: The film doesn’t just use the 1950s as wallpaper; it immerses the viewer in it.
Slow-burn tension: Rather than relying on loud shocks, the story builds its suspense quietly — like something simmering under the surface.
Character-driven drama: The plot centers on clashing personalities in the film industry, and things escalate in ways that feel both theatrical and grounded in human flaws.
If you’re into stories about cinema itself, or you love watching characters unravel against a nostalgic backdrop, this one will scratch that itch.
So… Should You Watch It?
Honestly, Kaantha is best suited for viewers who appreciate atmospheric storytelling. It’s not a fast-paced thriller — and it’s not trying to be. It’s the kind of film that lingers with you because of its mood, not just its plot twists.
And with the multi-language release on Netflix, it’s more accessible than ever.
