Wuthering Heights 2026:
A new poster for Emerald Fennell’s upcoming adaptation of Wuthering Heights has just dropped, teasing what looks like a bold, moody take on Emily Brontë’s classic tale. The film, starring Margot Robbie and Jacob Elordi, is set to hit theaters on Valentine’s Day 2026.
Poster Talk: What We’re Seeing
The poster exudes a vintage romance-novel vibe: Robbie and Elordi are posed in a passionate embrace, soft lighting accentuating their intense connection. The title’s typography nods to old Hollywood glamour, evoking a nostalgic feel without losing the edge. The tagline, “Come undone,” immediately hints that this is not your typical love story, and some promotional materials also tease with “Drive me mad.” The release date is prominently displayed: In theatres Valentine’s Day 2026.
Why This Matters
Emerald Fennell’s involvement promises a daring reimagining of the story. She’s described the project as “primal, sexual,” aiming to capture the raw intensity she felt when first reading the novel. The poster’s aesthetic feels deliberate: nostalgic yet charged, romantic yet slightly off-kilter — perfectly aligning with a story about destructive, obsessive love.
The Valentine’s Day release positions it as a February date-night event, but the dark undertones in the poster suggest this isn’t just a sweet romance — it’s going to be messy, passionate, and emotionally turbulent.
My Take: Highlights & Curiosities
What Works:
The poster immediately grabs attention. Its blend of classic romance imagery with edgier taglines suggests a story full of both beauty and emotional chaos.
The marketing clearly signals a high-profile adaptation with star power and a locked release date, building anticipation.
The mood aligns with the novel’s darker elements rather than glossing over them, hinting at something deeper than a typical period romance.
Points of Curiosity:
Purists may be divided; the poster sets a bold tone that might not sit well with everyone.
Casting and thematic choices could spark debate about the film’s interpretation of the iconic characters.
The Valentine’s Day timing is clever marketing, but if the film leans fully into its “primal” and tormented themes, it may surprise audiences expecting a conventional romantic experience.
Final Word
This poster works. It hooks you: you see the stars, feel the romance, but the tagline and atmosphere whisper “something more.” For fans of Wuthering Heights’ gothic undercurrent — the wild moors, obsessive love, and ruin — it promises a film that may fully embrace the novel’s dark, emotional depth.
With the poster out, all eyes now turn to the trailer and subsequent marketing, to see whether the film continues to balance romance with volatility, or tips further into the chaos the poster hints at.
